Home About Programs Students Work BLOG
FREE Portrait Guide

Inside to my studio

Painting, Process 

 and Everything Around It

Colour Temperature in Portraits: Why I Use a Map Instead Nov 04, 2026
Painting in Oil on Aluminium: The Challenges, and Why It Is Worth It Oct 27, 2026
Terre Verte: My Favourite Colour for Backgrounds Oct 21, 2026
How I Transfer My Drawings onto the Canvas Oct 20, 2026
If Your Paintings Turn Dull, It's Probably the Surface Oct 12, 2026
At the Edge of Realism: How edges describe form — and help us break it apart​ Oct 06, 2026
There Is No Skin-Tone Recipe. Here Is What I Do Instead. Sep 28, 2026
Why I Stopped My Own Workshop Halfway Through Sep 08, 2026
Two Drawings, One Afternoon Sep 02, 2026
walking on the broken glass floor of Pirr's suite at the four point sheraton hotel in Catania
When the Hotel Room Becomes the Artwork Sep 01, 2026
My 10-Colour Palette for Mixing Any Skin Tone Aug 31, 2026
 
Rosso in Conversation with: Michael Harding Jun 11, 2026

1 2
Author

Rosso Emerald Crimson

This is where I write about what actually happens in the studio, whenever I'm inspired to go deeper. Subscribe to follow along.

SIGN UP

Learn online with me

Inside my school, I teach the method behind my work — my programs are suitable for any skill level (total beginners to experienced painters), any background, any style. Because they rely on classical, foundational rules that are timeless and can benefit anyone.
Explore my programs

Recent Posts

Colour Temperature in Portraits: Why I Use a Map Instead Nov 04, 2026
Painting in Oil on Aluminium: The Challenges, and Why It Is Worth It Oct 27, 2026
Terre Verte: My Favourite Colour for Backgrounds Oct 21, 2026

Topics

Like the content of this blog?

Subscribe below to get notified everytime new insights are posted!

We Respect Your Privacy