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Insights from the Studio

Painting, Process 

 and Everything Around It

 
Rosso in Conversation with: Michael Harding Jun 11, 2026
Are you a Perfectionist or an Expressionist? May 24, 2026
A Painting Is Only Ever Finished When You Are Ready to See It May 23, 2026
The Painting That Forced Me Out of Traditional Realism May 23, 2026
The Most Experimental Portrait I’ve Painted Looks the Most Classical May 23, 2026
Portrait one: "Small oil portrait with Michael Harding Ultramarine Violet toned ground — Rosso Art School" - Portrait two: "Small oil portrait with aquan green coloured ground — colour relativity experiment"
Colours Don't Exist in Isolation — That's the Problem. And the Solution. May 03, 2026
Painting by the Ocean — What Really Happens Inside My Art Retreats May 02, 2026
The Artist’s Dilemma: Stop — or Push Through? Apr 10, 2026
How the brushes impact your style Mar 13, 2026
Twenty Minutes in Lucian Freud’s Studio Feb 19, 2026
How changing the ground transformed my art
How changing the ground transformed my art Feb 03, 2026
This is how you start a portrait: simple.
This is how you start a portrait: simple. Jan 27, 2026
Author

Rosso Emerald Crimson

This is where I write about what actually happens in the studio — the decisions, the experiments, how I move through it when things don't work. Subscribe to follow along.

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Recent Posts

Rosso in Conversation with: Michael Harding Jun 11, 2026
Are you a Perfectionist or an Expressionist? May 24, 2026
A Painting Is Only Ever Finished When You Are Ready to See It May 23, 2026

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